When Elvis Presley entered Hollywood in 1956 to make Love Me Tender, studio executives encouraged him to associate with fashionable young actors, including Nick Adams, Dennis Hopper, and other rising performers. Presley’s manager, Colonel Tom Parker, viewed these friendships as a potential threat: independent Hollywood acquaintances might tell Elvis what other performers earned or reveal how heavily Parker’s management arrangements favored the Colonel. According to accounts later published by Elaine Dundy and Peter Guralnick, Adams was therefore useful to Parker as both companion and controlled member of Presley’s entourage. Adams spent long nights with Presley, rode motorcycles with him, visited backstage and at Graceland, and even became linked to a proposed book about Elvis. The relationship was intimate but also politically charged inside Presley’s carefully managed celebrity world; Presley’s mother, Gladys, reportedly dismissed Adams as “a pushy little fellow.” Adams later published his own account of the friendship, turning access to Elvis into another piece of his career mythology.
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