In the mid‑1960s Hayao Miyazaki was not yet the celebrated auteur the world knows today but he was already a combative presence inside Japan's studio machinery. Hired by Toei in 1963 and rising from in‑between artist to key animator and scene designer, Miyazaki became a prominent figure in a 1964 labour dispute and served as chief secretary of Toei's labour union — with Isao Takahata as vice‑chairman. The conflict framed a larger creative struggle: when Miyazaki threw himself into The Great Adventure of Horus, Prince of the Sun (released 1968) as a key animator, concept artist and scene designer under Takahata, the team produced what critics later called a milestone in Japanese animation. But Toei gave the picture a limited release and minimal promotion, and the film bombed at the box office. The commercial failure was devastating enough to be listed among Toei's worst financial results and, according to contemporaneous accounts, threatened the studio's bottom line.
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