In 1985, while the AIDS crisis was still widely dismissed or stigmatized as a so-called “gay disease,” writer-director Arthur J. Bressan Jr. made Buddies, an intimate drama about a New York gay man who volunteers as a “buddy” to a man dying of AIDS. The film was produced outside the mainstream Hollywood system and shown only in a handful of urban art-house theaters, including San Francisco’s Castro Theatre, revealing how thoroughly the industry’s long-standing refusal to depict homosexuality shaped the cinematic response to the epidemic. Buddies reached audiences before the more widely recognized television film An Early Frost and four years before Longtime Companion, but its impact was constrained by limited distribution and the cultural fear surrounding its subject. The tragedy deepened when Bressan himself died of AIDS-related complications in 1987, only two years after the film’s release. For decades the film remained difficult to see, until The Bressan Project and Vinegar Syndrome restored it in 2K in 2018, bringing renewed attention to both Bressan’s sacrifice and the pioneering work that mainstream Hollywood had largely avoided.
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