Alien from L.A. / Cannon Films (Yoram Globus & Menahem Golan) / 1980s
The backstory of Alien from L.A. reads like a memo from a studio run by dealmakers rather than artists. In 1987–88 Cannon Films producers Yoram Globus and Menahem Golan were furious with a rough cut of Rusty Lemorande’s ill-fated Journey to the Center of the Earth and brought in cult director Albert Pyun to finish the picture. Pyun used that leverage to cut an extraordinary bargain: he agreed to finish the troubled Journey work for them — effectively doing the studio a favor — but only if they would let him shoot his own low‑budget repurposed version of Journey, to be titled Alien from L.A., for under $1 million. The arrangement epitomized Cannon’s scramble: finishing one flailing production while birthing another from the same creative rubble, a deal driven by contracts and expedience rather than careful planning or artistic intent.
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