When Justin Lin's Annapolis, starring James Franco and Tyrese Gibson, was shopped to audiences in early 2006 it carried an unusual stigma: the Department of the Navy publicly disowned the picture. After reviewing the script the Chief of Naval Information issued a blunt statement that the film "was made without the support of the Department of the Navy and the Department of Defense" and that the screenplay "did not accurately portray the Academy, its standards for training, and its methods of shaping midshipmen mentally, morally and physically for service in the U.S. Navy." The bureaucratic backlash went beyond a press release — producers were explicitly denied further access to Academy grounds or any official support, and Navy personnel were ordered to avoid the appearance of support for the picture and even discouraged from attending screenings in uniform. That formal rebuke is a rare, public example of the military using its imprimatur (or the withholding of it) to police Hollywood's narratives.
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