The 1970 film The Great White Hope dramatizes one of the rawest tragedies of early 20th-century America: the rise of heavyweight boxer Jack Johnson and the ruin that followed his defiance of Jim Crow racial mores. Adapted from Howard Sackler’s 1967 play and anchored by James Earl Jones and Jane Alexander in the stage roles they had won Tonys for, the picture compresses events set between 1910 and 1915 to show how Johnson’s dominance in the ring provoked a nationwide panic. Newspapers and promoters scoured the sport for a “great white hope” to unseat him; the real-life consequences went beyond sport. Johnson’s relationship with a white woman — mirrored in the film as Jack Jefferson’s courtship of Eleanor Bachman — became the kindling for a moral panic that legal authorities exploited. According to the story the film follows, agents of the state conspired to charge Johnson with unlawful sexual relations, stripping him of safety and status, and forcing him into a desperate flight from the law.
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