The film's music created an unusual authorship dispute during awards season. Quincy Jones was the sole credited composer of The Color Purple's score, but he was also serving as a producer and therefore delegated much of the musical work to a team of eleven additional musicians and arrangers. The score blended classical music, period jazz, blues, and gospel, and the Academy's Best Original Score nomination ultimately listed all twelve contributors: Jones, Chris Boardman, Jorge Calandrelli, Andraé Crouch, Jack Hayes, Jerry Hey, Randy Kerber, Jeremy Lubbock, Joel Rosenbaum, Caiphus Semenya, Fred Steiner, and Rod Temperton. The arrangement exposed a recurring Hollywood problem: a marquee producer-composer could receive the public authorship while a large network of collaborators performed the actual arranging and orchestration. The disagreement became visible at the Academy Awards, where the unusual nomination list raised questions about who deserved formal credit for the music.
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