The most notorious act of creative intervention occurred after principal photography ended on December 24, 1976. Bob Guccione and producer Giancarlo Lui returned to the Roman studios with several Penthouse Pets, reportedly using a skeleton crew to enter the facilities at night, raid the prop department, and shoot unsimulated hardcore-sex scenes without Tinto Brass's participation. Penthouse models Anneka Di Lorenzo and Lori Wagner, who had already appeared in supporting roles in Brass's footage, were used in the new material, including a lesbian sequence. The scenes were then intended to be inserted into the historical drama during post-production. This was not merely a matter of adding a few provocative shots: Guccione and Brass had fundamentally different ideas about the film's eroticism. Guccione wanted explicit sex, while Brass preferred stylized, theatrical decadence and reportedly resisted filming unsimulated acts. Brass also disliked Guccione's desire to showcase the Penthouse Pets, sometimes keeping them in the background or not filming them at all. The resulting film was assembled from incompatible visions—mainstream stars and lavish sets on one side, covertly produced hardcore footage on the other—leading Brass to disavow the picture. The controversy helped make Caligula a notorious cult object, but it also ensured that no single director's version survived intact.
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