After The Miseducation of Cameron Post won the Grand Jury Prize at the 2018 Sundance Film Festival, the film did not move smoothly into distribution. The delay became especially striking because the prize traditionally signals that a film has both artistic prestige and a strong chance of attracting buyers. Akhavan argued that the film's subject matter made it harder to sell: it was a woman-directed story about female sexuality and queer teenagers, and it refused to turn conversion therapy into simplistic propaganda or package its characters primarily for heterosexual consumption. She said it was not lost on her that a film about female sexuality, directed by a woman, was encountering distribution problems even after winning Sundance's major dramatic honor. The eventual release and strong critical response did not erase the underlying industry problem she identified—stories centered on queer women could be celebrated on the festival circuit while still being treated as commercially dangerous by mainstream distributors.
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