In 2015 Desiree Akhavan took a now-notorious meeting tour in Los Angeles pitching The Bisexual, a sitcom she would write, direct and star in. According to Akhavan, every American network she approached turned the project down — a rejection she publicly summarized as being “rejected everywhere” and later blamed on a cultural alarm about female sexuality, tweeting that “Americans are terrified of female sexuality.” The humiliation of those closed doors and the implicit policing of a woman’s sexual perspective became a small, very public case study in modern studio gatekeeping. The story’s bitter punchline arrived three years later when the show found a home abroad: Channel 4 in the U.K. commissioned The Bisexual, which aired October 2018, underscoring how transatlantic commissioning practices and executive risk calculations left a distinctly female, queer voice shut out of U.S. mainstream development pipelines.
Follow the sources
Status and citations are supplied by the archive. AI concept art is an interpretation, not historical evidence.