Dr. Strange (1978) / 1970s
Universal assigned the Dr. Strange television film to writer-producer-director Philip DeGuere under an exceptionally aggressive production schedule: the studio insisted that the project could be completed in only 13 shooting days. DeGuere was relatively inexperienced as a television-movie director and initially accepted the timetable, believing his work on Stephen J. Cannell's series Baa Baa Black Sheep had prepared him for the challenge. The plan became even more unrealistic after the success of Star Wars encouraged the producers to demand elaborate fantasy effects, including extensive green-screen work, despite providing resources that DeGuere later described as inadequate even by late-1970s standards. The shoot expanded from 13 days to 20 and went over budget as the production struggled to stage its astral-plane sequences, magical transformations, demon appearances, and other effects-heavy material on Universal's Los Angeles sets. Network executives also pushed DeGuere to add large amounts of explanatory dialogue, leaving the finished film unusually exposition-heavy. In retrospect, he considered those notes a mistake: the film was trying to explain a metaphysical comic-book world while simultaneously avoiding expensive or difficult-to-translate elements such as the Eye of Agamotto and Dormammu. The result was a compromised backdoor pilot that CBS did not order as a series. Composer Paul Chihara later recalled that DeGuere had high hopes for the film and was crushed when it performed badly in the Nielsen ratings.
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