Ray Milland, the Oscar-winning star of The Lost Weekend and a major figure from Hollywood's Golden Age, accepted the role of tyrannical Southern patriarch Jason Crockett during a period when his finances were reportedly declining. The job was far removed from the prestige productions associated with his earlier career, and the actor was said to dislike the film. The humid Florida location created an almost comic production problem: Milland wore a toupee, and sweat repeatedly caused it to slip or fall off during filming. The problem became especially consequential because Milland left the production three days before principal photography ended. When the film reached Jason's climactic death scene, the crew had to use a body double rather than Milland himself, staging the patriarch's final collapse and the invasion of his mansion without the star present. The substitution is a strange footnote to a film marketed around an imperious old millionaire being destroyed by nature: its central human villain literally disappeared before his character's final moments could be completed. The incident was not a public feud or a documented studio scandal, but it reflected the precarious employment and abbreviated working conditions that increasingly confronted aging stars taking low-budget genre assignments in the 1970s.
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