According to Maury Dexter, Buchanan completed the picture without major production trouble and delivered what Dexter described as a “nice film.” The problem emerged after AIP assembled a rough cut: executives felt the movie was too “slow and talky,” a dangerous verdict for a low-budget gangster picture attempting to capitalize on the energy of Bonnie and Clyde. Dexter returned to Dallas with a small unit, stunt doubles, and members of the cast to shoot additional action material. Those scenes were then inserted into Buchanan’s cut in an attempt to accelerate the film and make its crime-story mechanics more commercially effective. The episode illustrates the practical, sometimes intrusive way exploitation studios reshaped films in post-production—not necessarily because of a scandal or disaster, but because executives believed the director’s version lacked enough velocity to sell.
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