At a time when major actors were still bound by restrictive studio contracts, Douglas made an unusually aggressive bid for creative and financial independence. In September 1949, after establishing Bryna Productions—named for his mother—he began moving away from the system that had helped launch him. By 1955, he had broken contracts with producer Hal B. Wallis and Warner Bros. in order to get Bryna fully operating and to produce films in which he could also star. The gamble meant surrendering the security of studio employment and, in some cases, turning down far larger immediate paydays. He had already passed on the lucrative MGM project The Great Sinner to make Champion, a risk that paid off when his performance as a selfish, ruthless boxer earned his first Academy Award nomination while The Great Sinner flopped. Through Bryna, Douglas subsequently controlled major projects including Paths of Glory, The Vikings, Spartacus, Lonely Are the Brave, and Seven Days in May. His maneuvering illustrated the gradual shift from studio-owned star power toward the actor-producer model that became increasingly important in postwar Hollywood.
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