Glen or Glenda was already an unstable patchwork of Wood’s autobiographical material, stock surgical footage, dream sequences, and solemn narration, but producer George Weiss made the film even more eccentric for commercial and practical reasons. To bring the picture up to the roughly 70-minute length expected of a theatrical feature, Weiss inserted unrelated footage of scantily clad women, bondage, and whipping drawn from another project influenced by fetish filmmaker Irving Klaw. These scenes sit jarringly beside Wood’s earnest appeals for tolerance and his quasi-medical explanations, exposing the mechanics of low-budget exploitation production: footage was recycled, repackaged, and framed with a thin narrative so that taboo material could be marketed as a dramatic or educational film. The clash between sympathetic gender-conflict melodrama and opportunistic fetish imagery became one of the film’s most notorious hallmarks.
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