Niels Mueller’s 2004 film The Assassination of Richard Nixon recreates one of the stranger and more desperate episodes of 1970s political violence: the real‑life plan by Samuel Byck to kill President Richard Nixon by crashing a hijacked airliner into the White House. The film relocates the events into a fictionalized 1973–74 timeline, changing the protagonist’s name to Sam Bicke (played by Sean Penn) but preserving the core, grim mechanics of the scheme. In Mueller’s portrayal—faithful to historical reporting—Bicke descends from a disgruntled, failing salesman into obsession. He liquidates his bank account, steals a handgun, packs a suitcase of gasoline, and mails a rambling confession and manifesto addressed to the composer Leonard Bernstein, whom the man bizarrely admired. When Bicke drives to Baltimore–Washington International Airport the security procedures prove tighter than he expects; panicked, he boards a passenger plane, shoots a policeman while forcing his way aboard, murders the pilots, and coerces a passenger to attempt to fly the aircraft. An intervening police officer shoots through a cockpit window; Bicke kills himself before he can be taken into custody.
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