Blue City was supposed to be a carefully positioned mid-1980s vehicle for the suddenly marketable Brat Pack generation. Walter Hill and Lukas Heller adapted Ross Macdonald's 1947 crime novel, Judd Nelson was elevated from ensemble success in The Breakfast Club and St. Elmo's Fire to leading-man status, and Paramount handed directing duties to Michelle Manning, a producer who had worked closely with Nelson and Ally Sheedy. The arrangement looked like a studio-sanctioned promotion: Ned Tanen, Manning's former Breakfast Club colleague, had become Paramount's head of production and agreed to finance her first feature as director. But the production placed an inexperienced filmmaker in charge of an action picture built around gunfights, beatings, explosions, corruption, and a deliberately hard-boiled tone. Manning later said that being a woman director put her 'under a microscope,' while also resisting the expectation that female filmmakers should be assigned only softer, female-centered material.
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