Though some street scenes were filmed on location in Gdańsk, the Polish communist authorities gave Volker Schlöndorff's crew only very limited time in-country — the source novel had been banned across much of the Eastern Bloc. Tensions between the production and local state bureaucracy boiled over during preparations for the famous eel‑dinner sequence: a production assistant attempting to buy eels directly from fishing boats was arrested by Polish police and accused of 'attempting to sabotage national industries.' The incident illustrates how Cold War-era censorship and economic control could intrude into everyday filmmaking, forcing the multinational West German–French–Yugoslav crew to shoot key scenes elsewhere (notably Zagreb and West Germany) and to work under constant scrutiny. The arrest had no grand legal aftermath recorded in publicity, but it exemplified the production constraints and political tightropes filmmakers navigated when trying to film a banned novel in the Eastern Bloc.
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