The creative collapse continued after principal photography. Paramount executives exercised heavy-handed control over the final product, substantially re-editing Darling Lili largely without Blake Edwards' input. The studio's re-cut version, released in June 1970, suffered from incoherent tone and a truncated running order; the company then bungled the distribution so badly that the film barely reached most American markets. The result was catastrophic: against a final estimated budget of $25 million, Darling Lili earned only about $3.2 million in distributor rentals and became a notorious box-office bomb. The humiliation stuck with Edwards—he later satirized similar studio practices in his 1981 film S.O.B.—and it took decades for the director to reclaim the picture: at Paramount repro who Michael Schlesinger invited Edwards to recut the film in 1991, producing a director's cut that was 29 minutes shorter and premiered at Cannes in 1992 with Edwards and Julie Andrews in attendance.
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