For decades Hollywood lore insisted that Clark Gable was 'punished' by MGM and lent out to Columbia Pictures for It Happened One Night (1934) as retribution for refusing a studio role. The popular version cast Louis B. Mayer as the disciplinarian, banishing Gable to what was then a second‑tier studio to teach him a lesson. Recent biographies and studio records have largely punctured that melodrama: MGM simply had no production ready for Gable and was still paying his $2,000 weekly contract salary while he sat idle. Louis B. Mayer agreed to lend him to Harry Cohn’s Columbia for $2,500 a week — a transaction that netted MGM $500 weekly on an idle contract player. Frank Capra later described Gable as a reluctant participant, but the punitive revenge narrative is an embellishment, conflating studio leverage and gossip with routine interstudio loan deals of the era. The myth endures because it neatly fits the image of iron‑fisted studio bosses doling out moral lessons, but the archival accounting and later biographies show a mercantile, not vindictive, transaction.
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