Blue Chips was not born quickly. Ron Shelton developed the project as early as 1981 and the script spent more than a decade being bounced from Time Life Films to MGM and then to 20th Century Fox. At Fox, studio head Joe Roth famously put the screenplay into "turnaround," a corporate maneuver that shelved projects and opened the door for other studios to pick them up — effectively a slow-death sentence for many scripts. The project might have stalled there, in development purgatory, had it not been acquired by Paramount under chairman Brandon Tartikoff, where it was nearly sent back into turnaround yet again.
What finally pushed Blue Chips over the studio’s greenlight line was executive enthusiasm at the top. Sherry Lansing — the Paramount executive later credited with rescuing the script — championed the project and helped get it made. The Wikipedia entry explicitly notes Lansing’s role and even points out that she was William Friedkin’s wife, a connection contemporaries cited when explaining why Friedkin, who had endured a strained relationship with Paramount following the troubled 1977 production of Sorcerer, suddenly found multiple films released by the studio in the years that followed. The story of Blue Chips’ production arc is a classic case study in how studio power plays, turnaround practices, and personal relationships in the executive suite could determine whether a project lived or died — and how careers could be rehabilitated by a single influential champion.
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