When Jack Clayton reunited with Georges Delerue in 1982 to adapt Ray Bradbury’s Something Wicked This Way Comes for Disney, the production collapsed into a classic clash between an auteur’s darker instincts and a studio intent on family-friendly commerce. According to contemporary accounts, Clayton’s original cut was judged “too sinister” by studio executives; Disney took control, shelved the picture for more than a year, and reportedly spent an additional $5 million re-editing — cutting scenes and shooting new footage to soften the film’s tone. The studio went further than re-cutting images: it excised Delerue’s original, ambitious score as well, deeming it too dark for the re-tooled movie. Composer James Horner was commissioned to provide a lighter replacement, and Delerue — who later called the rejection “extremely painful” and said it was probably the most ambitious score he wrote in the United States — watched his work disappear from the official soundtrack.
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