The Yankee Doodle Mouse arrived in cinemas on June 26, 1943, a Technicolor one‑reel Tom & Jerry short produced by Fred Quimby and directed by William Hanna and Joseph Barbera. Celebrated at the time — it took home the 1943 Academy Award for Best Animated Short Film — the cartoon is saturated with World War II visual gags (jeeps, dive‑bombers, ration stamps and makeshift ‘grenades’), a hallmark of studio shorts that doubled as light wartime propaganda. But the MGM handling of the picture after its initial run illustrates the heavy hand of the Golden Age studio system: the short was formally reissued in 1950 with at least one wartime gag removed (a ration‑stamps joke), and even the on‑screen credits were reshaped — Jack Zander, credited on the original 1943 print, found his credit omitted in the 1950 reissue. That omission is small but telling, a routine example of how studios controlled who was remembered in the studio record when films were recycled for new audiences.
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