To Be Alive! began life in 1964 not as a conventional theatrical short but as an ambitious multi-panel pageant commissioned by S.C. Johnson & Son for the Johnson Wax pavilion at the 1964 New York World's Fair. Co‑directors Francis Thompson and Alexander Hammid spent 18 months shooting children across the United States, Europe, Asia and Africa and assembled the piece for an experimental three‑screen installation — three separate 18‑foot panels set apart by one foot of black space rather than the welded Cinerama sweep. Its exhibition context mattered: because the film was part of pavilion admission it was treated as a non‑theatrical, sponsored presentation, yet critics took notice. In late 1964 the New York Film Critics Circle awarded it a special citation — the first time that body had honored a non‑theatrical commercial production — and the film later received praise from the National Conference of Christians and Jews.
Follow the sources
Status and citations are supplied by the archive. AI concept art is an interpretation, not historical evidence.