Back to the Future nearly became collateral damage in a separate studio dispute. Although Universal Pictures was preparing the production, the rights to the project still belonged to Columbia Pictures, where Frank Price—an early supporter of the screenplay—had moved on. Columbia's new president, Guy McElwaine, was developing Big Trouble, a satire of the Universal-owned film noir classic Double Indemnity. Because the proposed satire risked violating Universal's copyright, McElwaine needed to negotiate with Price.
The solution was a rights exchange: Price obtained Back to the Future for Universal, while Columbia received what it needed for Big Trouble. The deal cleared the legal obstacle and reunited the project with the studio that could actually make it. It also placed the film under Universal executive Sidney Sheinberg and the Amblin team of Steven Spielberg, Kathleen Kennedy, and Frank Marshall. What began as a corporate copyright problem ultimately redirected the film into the production system that turned it into a franchise, though the same executive control later produced the threatened title change and other attempts to reshape the project.
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