While making Fuzz in Boston in 1971, Raquel Welch was paid $100,000 for only nine days of work, but her limited commitment did not mean she controlled every detail of her appearance. One planned gag required her policewoman character to appear in a men's restroom wearing only a bra and panties. Welch initially refused to perform the scene. The production reportedly tried shooting alternate versions, but producer Ed Feldman later admitted that the substitutes did not work and that the filmmakers had promised United Artists a particular commercial package. Feldman's explanation—'We promised United Artists we'd deliver a certain picture and we haven't got it'—reveals the familiar studio-era pressure placed on stars even after the old contract system had supposedly weakened. The scene was retained as part of the film's selling point, alongside the publicity value of Welch and Burt Reynolds. Contemporary reviewers treated Welch's role as a sexy cameo and a commercial attraction, illustrating how a performer could negotiate pay and workload yet still face strong pressure when a distributor believed a provocative moment was essential to the finished product.
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