The film that emerged in 1978 as Eyes of Laura Mars began life as an 11‑page treatment titled Eyes by a young John Carpenter — his first major studio sale. Independent producer Jack H. Harris optioned that treatment with plans to mount it outside the majors, but when hotshot producer Jon Peters read the material he saw a star vehicle for his girlfriend Barbra Streisand and promptly maneuvered the project into Columbia’s orbit (with Peter Guber’s interest). Columbia’s involvement changed the deal dynamic: when Streisand ultimately declined the lead (Peters later citing "the kinky nature of the story"), the studio agreed to proceed only if the property was reworked for a bankable star, leading to the hiring of screenwriter David Zelag Goodman to undertake substantial rewrites. Carpenter later spoke bluntly about the experience — “It wasn't a pleasant experience… the original script was very good, I thought. But it got shat upon” — making this a clear example of late‑1970s studio intervention where financing and star packaging trumped the originator’s vision.
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