During the Stones' set the situation escalated: 18‑year‑old Meredith Hunter tried to get onstage, was struck by Hells Angels, drew a revolver and was then attacked by Hells Angel Alan Passaro. At least one documentary camera (accounts credit Baird Bryant and others such as Eric Saarinen) captured the moment — the film clearly shows the dark silhouette of a handgun in Hunter’s hand, Passaro seizing and lifting Hunter’s gun hand, turning him and stabbing him multiple times. The San Francisco city authorities negotiated with the Stones' camp: the city agreed to drop any potential charges against the band in exchange for a copy of the film footage, and Passaro was charged with murder. At trial jurors ultimately acquitted Passaro after hearing that Hunter’s autopsy showed methamphetamine in his blood and interpreting Hunter as the aggressor. The Maysles’ crew realized the gravity of what they had captured only after the event, and the footage transformed the project from a TV special into a theatrical documentary — a decision reportedly cemented on the flight delivering the film. The inclusion of the killing in Gimme Shelter propelled the movie into a lasting historical document and a stark, controversial counterpoint to Woodstock: "Woodstock through distorting mirrors," as contemporary critics put it.
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