Once SGE installed a new production partner, it imposed more sweeping changes: Karl Schiffman was brought in and ordered to discard the existing screenplay and produce a fresh 'buddy‑movie' script in two weeks, a rapid rewrite that traded any original vision for a marketable template. Filming in the Toronto area had already begun on July 5, 1993, and tensions escalated behind the scenes — director Steve DiMarco, originally announced as sole director, 'butted heads' with SGE and was fired partway through the shoot, replaced by Paul Ziller. The churn — last‑minute creative purges, a sprint rewrite, and a mid‑production directorial change — illustrates how distributor financing in the era could override on‑set authority and reshape a film’s identity. The immediate fallout was practical: the original creative team’s sequel plans collapsed (a planned direct follow‑up never materialized), SGE pivoted to commission a spiritually similar but distinct vehicle (Tough and Deadly) with a different team, and George Flak went on to reteam with Piper for 1995’s Jungleground — a small, telling epilogue to a bruising production tug‑of‑war.
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