Orson Welles / The Magnificent Ambersons (1942), Citizen Kane (pre‑production tests), Touch of Evil (1958) / 1940s
Russell Metty’s early collaborations with Orson Welles placed him in the eye of one of Hollywood’s most infamous studio battles. Metty served as the pre‑production test photographer on Citizen Kane (1941) and later shot additional scenes for Welles’ ill‑fated follow‑up, The Magnificent Ambersons (1942). That picture became a textbook example of Golden Age studio power: after Welles delivered his cut, RKO executives took the film out of his hands, ordered reshoots, chopped large sections, and released a radically shortened version — the director’s original negative and prints were effectively mutilated and what Welles regarded as his film was largely lost. Because Metty participated in both test and additional photography, his hands were on both the pioneering images of Kane-era experimentation and the fragments of Ambersons that survived studio surgery.
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