Curly Howard, one of the original Three Stooges, suffered a series of minor strokes during the 1940s as his health deteriorated. According to biographer Michael Fleming, Harry Cohn nevertheless pressured him to continue working for Columbia. The demand was especially stark because the Stooges were locked into a long-running short-subject arrangement and Cohn considered the comedians personally lucky for the studio. Curly’s condition worsened, eventually forcing his retirement from the act, and he died in 1952 at the age of forty-eight. The account captures the brutal logic of the short-subject factory, where performers were treated as replaceable production assets even when serious illness was visible. Cohn remained sentimentally attached to the Stooges and kept them on Columbia’s payroll long after most of the studio’s other comedy series had been discontinued, but that loyalty did not prevent the alleged pressure placed on Curly during his decline.
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