During pre-production Paramount discovered that the Pentagon had serious objections to the screenplay for Clear and Present Danger. A letter to producer Max Neufeld spelled out the concerns in blunt language: the Department of Defense objected to “very negative portrayals of the U.S. President and his national security advisor,” the depiction of U.S. military combat forces conducting illegal covert operations in Colombia, and an overall “very negative portrayal of Colombia.” Because the production wanted access to military equipment, consultation and the semi-official imprimatur that such cooperation gives a big-studio thriller, the studio ordered rewrites to mollify the Pentagon. Those changes rippled through an already contentious development process — additional rewrites, careful trimming of politically sensitive material, and story adjustments were made specifically to secure Pentagon approval and the hardware that helps sell a modern spy movie to audiences, demonstrating the quiet but potent influence the military exerted on Hollywood content in the 1990s.
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