What began as a low‑budget affection play for 1950s monster movies — a 1977 picture directed by William R. Stromberg and co‑written/produced with Richard Cardella — was effectively gutted by its own financier/distributor. Crown International, which had been part of the film’s financing, famously pulled support for what the filmmakers later described as "key scenes" that would have plugged plot holes and clarified the passage of time. According to Cardella’s recollection (repeated in production histories), Crown not only excised expository material but imposed a canned musical score and handed the picture to an editor who, in the filmmakers’ view, edited with brutal indifference — so much so that Cardella groused the editor didn’t even use a single fade or dissolve. Director Stromberg was shut out of the postproduction decisions; scenes that would have explained motivations and temporal shifts were deleted and no corrective post‑work was done (even day‑for‑night shots were left plainly daytime).
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