Phil Tippett began the stop‑motion magnum opus Mad God in 1990 as a dark, experimental project born out of the same creature‑obsessed imagination that sent him to ILM and later into high‑end VFX. As Tippett built Tippett Studio through the 1980s and 1990s, Mad God was repeatedly shelved while he won Oscars, supervised Jurassic Park’s dinosaurs and ran large VFX teams. He returned to the film in 2010 but lacked the finances to complete it, launching a Kickstarter on June 16, 2012 that raised $124,156—well over the $40,000 goal—and allowing him to finish piecemeal over the following decade. The film finally screened publicly on December 11, 2021 and was distributed by Shudder, but the production’s long arc came at a heavy personal cost: Tippett revealed that a year before completion he suffered a mental breakdown and was admitted to a psychiatric ward. The breakdown, the decades of obsession, and the gamble of crowdfunding a personal auteur project cast Mad God not simply as an eccentric labor of love but as a grim portrait of what obsessive, long‑gestating indie filmmaking can do to an artist’s psyche.
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