The Great White Hope dramatizes a real-life sequence of racialized persecution and personal catastrophe centered on heavyweight champion Jack Johnson and his first wife, Etta Terry Duryea. Set between 1910 and 1915, the story tracks Jefferson (the film’s stand-in for Johnson) as he trounces every white contender and becomes the focus of a racially charged press campaign hunting a “great white hope.” According to the play and the film adaptation by Howard Sackler and director Martin Ritt, white authorities and segments of the press conspired to manufacture a moral and legal case against Johnson by exploiting his relationships with white women — a campaign that, in the real timeline the film evokes, culminated in profound personal tragedy when Etta Duryea died by suicide in 1912. The film compresses and dramatizes those events into the arc where Jefferson’s affair with the white Eleanor leads to a frame-up for “unlawful sexual relations,” a fugitive flight from the law, and devastating fallout for everyone involved.
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