William C. Mellor / The Greatest Story Ever Told / 1960s
William C. Mellor, a two-time Academy Award–winning cinematographer whose three-decade career had carried him from 1930s B‑movies into the highest echelons of Hollywood, died suddenly of a heart attack on 30 April 1963 while on the set of George Stevens' biblical epic The Greatest Story Ever Told. Mellor had risen through the studio ranks at Paramount, MGM and 20th Century Fox, breaking out with Preston Sturges' The Great McGinty (1940) and later doing his most celebrated work with Stevens—earning Oscars for A Place in the Sun (1951) and The Diary of Anne Frank (1959)—as well as high-profile assignments on Anthony Mann westerns and MGM musicals. His collapse mid‑production was more than a personal tragedy; it forced Stevens and the studio to scramble for continuity in the film's visual language and to entrust the remainder of the shoot to Loyal Griggs, who stepped in to complete cinematography.
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