Debbie Reynolds became one of the most ardent preservers of Hollywood ephemera after attending the landmark MGM auction in 1970, amassing a trove of costumes, photographs, posters and props that she displayed in a museum at her Las Vegas hotel and later planned to relocate to a large tourist complex in Pigeon Forge, Tennessee. The plan collapsed when the Belle Island Village developer went bankrupt; Reynolds’ museum filed for Chapter 11 in June 2009. The emotional blow was compounded by financial reality: the collection—catalogued in the bankruptcy filing at roughly $10.79 million—was put up for sale. Profiles in History conducted multi-year auctions (2011–2014) that pared away treasures: among thousands of items sold were Charlie Chaplin's bowler and Marilyn Monroe’s famous white subway dress, the latter fetching $4.6 million in 2011. For Reynolds, a lifelong cinephile who had hoped to enshrine Hollywood history, the forced dispersal of objects she had saved from oblivion was a profoundly personal and public indignity—an emblematic story of how even storied stars can be bankrupted and bereft of the things that defined them.
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