Pasqualino “Pasquale” De Santis, one of Italy’s most lauded cinematographers and the brother of director Giuseppe De Santis, ended a six-decade career in the most cinematic—if tragic—fashion: he died on location in Ukraine on 23 June 1996 while working on La tregua, the Francesco Rosi adaptation listed among their long collaboration. De Santis’s resume reads like a who’s who of European auteurs—Luchino Visconti (La caduta degli dei, Death in Venice), Federico Fellini, Vittorio De Sica, Joseph L. Mankiewicz, Robert Bresson—and his visual touch was integral to the political, operatic, and intimate textures of films from the 1960s through the 1990s. By the time he traveled to Ukraine to film Rosi’s La tregua he had already shot landmark works such as Il caso Mattei (1972) and Cristo si è fermato a Eboli (1979), making his presence on set a continuation of a decades-long creative partnership.
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