Abel Ferrara’s 1976 feature debut, made under the pseudonym Jimmy Boy L., was already an unstable production before it reached theaters. Shot under the comparatively restrained working title White Women, the pornographic film was ultimately retitled 9 Lives of a Wet Pussy after distributors demanded something more provocative; Ferrara reportedly preferred the title Nothing Sacred. The movie also played games with its own authorship, claiming to be based on a nonexistent novel by a nonexistent writer, “Francois DuLea”—a disguised reference to cinematographer Francis Delia, credited as Francis X. Wolfe.
The more damaging interference allegedly came after production. In a 2019 interview with Filmmaker, Ferrara recalled that projectionists on the exploitation circuit, particularly after the prints traveled south of Philadelphia, would remove the film’s strongest hardcore scenes and place them on their own reels. In effect, the projectionist became the final editor: audiences received incomplete and inferior versions while the scenes Ferrara considered essential disappeared from circulation. The director said the film had contained “beautiful” material but became incoherent and disappointing by the time it was released. The episode illustrates the chaotic, weakly regulated distribution culture surrounding 1970s pornographic and exploitation films, where prints could be altered far from the producers’ control. The original 35 mm camera negative was eventually restored in 2K, leading to a Vinegar Syndrome Blu-ray and DVD release in 2019.
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