Ritchie deliberately designed An Almost Perfect Affair as a small, low-budget production so he could bargain for privileges normally guarded by the studio system: script approval and control over the final cut. The arrangement was effectively a trade—Paramount would accept a modestly financed film in exchange for giving the director unusual creative authority. Ritchie then shot documentary-style footage at the 1978 Cannes Film Festival, mixing real festival atmosphere with the fictional story, and built the production around actual locations in Nice, Cannes, and the Côte d'Azur. The gamble gave the movie an unusually authentic backdrop, but it also left Ritchie exposed when Paramount lost confidence in the picture's commercial prospects. He later believed the studio's release strategy doomed the film, particularly because Robert Altman's similarly themed A Perfect Couple had arrived only three weeks earlier. Ritchie regarded the movie as one of his favorite works and argued that audiences had not rejected it—they had simply never been given a meaningful chance to see it.
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