The casting and shoot of Gone with the Wind produced a notorious string of production disputes that centered on Vivien Leigh. After David O. Selznick and George Cukor endorsed Leigh for Scarlett O’Hara, director Cukor was later dismissed and Victor Fleming took over — a change that produced friction on set. Leigh frequently quarrelled with Fleming over performance choices and was reported to be under enormous strain from gruelling schedules, often working seven days a week and late into the night. Adding fuel to gossip, Leigh and co‑star Olivia de Havilland met clandestinely with the ousted Cukor at night and on weekends for coaching — an act that became part of Hollywood lore. Leigh’s separation anxiety for Laurence Olivier and her candid lament, “Puss, my puss, how I hate film acting! Hate, hate,” were widely quoted; yet contemporaries such as de Havilland later defended Leigh’s professionalism. The combination of director turnover, secret consultations and on‑set rows made GWTW one of the most fraught productions of the era, even as it won Leigh the Academy Award and became a cultural colossus.
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