The pressure boiled over into a serious clash between director Paul Bartel and star David Carradine. Bartel later said the two fought badly enough that he briefly considered replacing Carradine with Lee Majors, even though they eventually reconciled and developed enough mutual respect to influence the film’s ending. Roger Corman had proposed a different conclusion in which the reporter character would be shot by FBI agents while Frankenstein dismissed the reporter’s question as “sort of irresponsible.” Bartel rejected that plan in practice: he filmed the ending in which Frankenstein’s car rams the presidential stage, and Carradine reportedly said he was not interested in “fooling with the other one.” Because the alternative ending was never shot, the director and star effectively overruled the producer at the crucial moment, preserving the film’s most anarchic act of political violence.
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