Effects supervisor Gord Smith publicly complained that producers left the practical-effects work for Body Parts until the last possible minute, giving his team only about three weeks of pre-production rather than the many months required for detailed creature, prosthetic and mechanical work. Filming was pushed from December 1990 into January 1991, and the compressed schedule meant design, testing and refinement were truncated. The creative fallout is audible in contemporary criticism: Variety famously wrote that the picture “literally goes to pieces in [the] last third,” a line that echoes the effects team’s grievances. The rushed effects schedule became a behind-the-scenes sore point — an internal production fight between practical needs and producers’ timelines that helped shape the film’s uneven reception and remains a cautionary tale about underfunding makeup and FX prep.
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