Anthony Quinn, who served as executive producer as well as starring in Across 110th Street, initially imagined the role of the prejudiced Harlem police captain Frank Mattelli for major action stars John Wayne, Kirk Douglas, or Burt Lancaster. All three reportedly passed, leaving Quinn to take the part himself. Quinn also hoped to cast Sidney Poitier as the film’s Black lieutenant, Lt. Pope, but the proposed casting reportedly provoked resistance from Harlem residents who felt Poitier was too polished and too closely associated with Hollywood to represent the neighborhood’s street-level reality. Quinn ultimately relented, and Yaphet Kotto was cast instead. The decision reflected a central tension in early-1970s Black cinema: established stars could bring legitimacy and commercial appeal, but local audiences often distrusted performers they believed had been assimilated into the mainstream studio system. Kotto’s casting helped give the film the harder-edged urban presence its producers wanted, while Quinn’s Mattelli became one of the picture’s most morally compromised figures. The anecdote appears in accounts of the production, but the available sourcing for the reported Harlem opposition is weak, so the precise scale of the backlash remains uncertain.
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