Acquanetta's relationship with Mexican-Jewish millionaire Luciano Baschuk turned into a bitter legal and personal dispute after the birth of their son, Sergei—also called Sergio—in 1947. When the couple divorced in 1950, Acquanetta sued for half of Baschuk's fortune, but the case ran into a devastating evidentiary problem: no record of a marriage could be produced. Without documentation proving the union, her claim to a share of his wealth collapsed. The episode was especially painful because the couple's five-year-old son died of cancer in 1952, only two years after the divorce and after the family's financial and emotional rupture had become public. Acquanetta subsequently married the much older painter and illustrator Henry Clive in 1950, but that marriage also ended in divorce in 1953. The sequence left her facing the loss of a child, the failure of a high-stakes financial claim, and the breakdown of two marriages while her film career was already winding down.
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