The film’s famous final image was not the ending originally intended by the filmmakers. The first version showed Eve finding Chance beside the lake, with the two characters declaring that they had found one another and walking away together. Director Hal Ashby disliked the sentimentality and conventional closure of that conclusion, so he devised a far more enigmatic image: Chance would walk across the surface of the lake after straightening a damaged pine sapling. To create the effect, the production submerged a platform beneath the water, allowing Peter Sellers to cross it while the camera concealed the mechanism. Chance even dips his umbrella into the water as he walks, making the moment appear simultaneously miraculous and faintly absurd. The movie refuses to explain whether he has performed a religious miracle, stumbled across a hidden structure, or simply entered another layer of television-like unreality. Roger Ebert later argued that viewers should not invent a visible pier or platform to rationalize the scene, because the image itself—not a behind-the-scenes explanation—is the film’s final statement. The ending became one of the most debated and enduring images in American satire.
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