By the late 1960s Peter Bogdanovich had lined up what he later called a potential masterpiece: a film version of Larry McMurtry’s screenplay The Streets of Laredo set to star Henry Fonda, James Stewart and John Wayne. According to Bogdanovich’s own account, the project collapsed not through financing or creative failure but because John Ford — Hollywood’s elder statesman and a longtime mentor figure to Wayne — quietly intervened. Bogdanovich claims Ford talked Wayne out of participating, a single bit of influence powerful enough to doom the production. The immediate fallout was devastating for Bogdanovich: the film never got made, and what might have been another landmark of late‑1960s American cinema evaporated. The long-term irony is that McMurtry’s material was not wasted — elements of the screenplay found new life in his later work, eventually feeding into the world of Lonesome Dove — but Bogdanovich was left convinced that Ford, by flexing his personal authority, had effectively killed a young director’s major opportunity. The allegation remains a sharp illustration of how personal loyalties and old‑guard influence could determine a film’s fate in that era.
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