Brewster McCloud emerged from one of Robert Altman’s most freewheeling periods, and its screenplay became a point of friction before the film even reached theaters. Doran William Cannon received the official screenplay credit, but the finished movie was substantially rewritten by Altman and his close collaborators, with additional material developed or improvised during the eight-week Houston shoot from May 22 through July 15, 1970. That process helped produce the film’s deliberately disjointed tone: a young man building wings beneath the Astrodome, bird-themed murders, lecture sequences that grow increasingly avian, political satire, musical interruptions, and an ending staged like a circus spectacle rather than a conventional climax.
After the film’s release by Metro-Goldwyn-Mayer on December 5, 1970, Cannon wrote a column for The New York Times detailing the frustrations of his experience. The public airing of the dispute offered an unusually clear glimpse of the creative power struggle behind New Hollywood productions, where directors increasingly reshaped studio projects through improvisation and collaborative rewriting while the credited screenwriter could find his original work transformed on set. Brewster McCloud subsequently bombed commercially and received mixed reviews, although later critics reassessed it more favorably; the surviving screenplay controversy remains part of the film’s reputation as an unruly, auteur-driven production.
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