The most explosive blemish on Sam Spiegel’s late-career reputation surfaced in retrospective interviews with actress Theresa Russell about her first casting session for Spiegel’s 1976 production The Last Tycoon. Russell has said she was 16 and still living at home when Spiegel summoned her, took her to the Bistro and attempted an aggressive sexual advance — she famously recalled that he “tried to stick his tongue down my throat.” When she refused to sign a contract, Russell says she was effectively marginalized: left out of the film’s publicity and warned by Spiegel that he would prevent her from working in Hollywood. The allegation encapsulates a pattern long hinted at by contemporaries: Billy Wilder’s mordant nickname for Spiegel, the “velvet octopus,” and biographer Natasha Fraser‑Cavassoni’s portrayal of him as a man who used charm and clout to entwine himself with young women while running a tight, manipulative hold over projects.
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