David Lynch’s feature debut became an endurance test almost immediately after production began. The American Film Institute had approved Eraserhead after seeing a 21-page screenplay, apparently assuming the usual industry ratio of roughly one minute of screen time per script page. Instead, Lynch’s intensely visual, meticulously paced film expanded far beyond the short project the school believed it was financing. Principal photography began in 1972 and dragged on for approximately five years as money repeatedly disappeared. Lynch converted disused AFI stables into sets and lived on the property, while cinematographer Herb Cardwell eventually had to leave because he could no longer afford to continue. Frederick Elmes replaced him, and Catherine E. Coulson—Jack Nance’s wife and a crucial member of the tiny crew—worked as a technician while also helping sustain the production financially.
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